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	Search results for 1966--originally    Refine your search Creator 3 () 3 () 2 () 2 () 2 () 2 () 1 () 1 () 1 () 1 () results 121-140 of 198 item(s)  page 7 of 10 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 121. [Bookplate for John Charles Alison Heriot by Graham Johnston] This bookplate's design features, in black ink, an escutcheon, argent (silver), charged on the fess with three cinque foils within an indented bordure. Above the escutcheon is a tilting helmet, charged with a straight wreath and a dexter hand couped at the wrist, which holds a laurel wreath aloft. Decorative vegetative mantling surrounds the escutcheon within the bounds of a rectangular frame. Behind the laurel wreath, waves a banner containing the bookplate originator's Latin motto and below the coat of arms is a separate compartment containing the originator's name. This bookplate appears to be a smaller version of BP MUR SL P H475b, but the creator's initials are barely visible amongst the mantling. 122. [Bookplate for John Charles Alison Heriot by Graham Johnston] This bookplate's design features, in black ink, an escutcheon, argent (silver), charged on the fess with three cinque foils within an indented bordure. Above the escutcheon is a tilting helmet, charged with a straight wreath and a dexter hand couped at the wrist, which holds a laurel wreath aloft. Decorative vegetative mantling surrounds the escutcheon within the bounds of a rectangular frame. The bookplate designer's initials and the date of creation are hidden among the mantling. Behind the laurel wreath, waves a banner containing the bookplate originator's Latin motto and below the coat of arms is a separate compartment containing the originator's name. A smaller version of this bookplate may also be viewed at BP MUR SL P H475a. 123. [Bookplate for John Eardley Wilmot] In black ink. A marshalling of 12, this bookplate incorporates several notable charges, including two sets of eagle heads, erased, a leg erased, three garbes, a stag salient with hounds in pursuit, a scythe, three bugle-horns, three maiden's busts, three crosses-crosslet, three mullets and a lion rampant. The escutcheon is surrounded by an ornate, foliage border in the Chippendale style. It is crowned with a peer helmet, set upon a vegetative backdrop. The mantling supports two straight wreathes, charged with a demi-eagle, holding an escalop in its beak (dexter) and a stag courant (sinister). Among the many heraldic armorials depicted, this bookplate includes several identifiable familial crests. The originator's descendants, include, from dexter chief to sinister base, the Wilmot family in armorial one, the Eardley family in armorial three and the Marrow family in armorial seven. The Wilmot family armorial displays a sable (black) background parted per fess, or (gold), with three escalops on the fess, situated between three eagle heads, erased, two over one. The Eardley family armorial is argent (silver), with a chevron, azure (blue), charged with three garbes (sheaves of corn) and in canton gules (red) a fret, or. The Marrow family armorial is azure, parted per fess, or, engrailed, situated between three maiden's busts, two over one. 124. [Bookplate for Jos-N. Chaussé M.D.] Black ink on cream paper. An oval border with decoration at the top and bottom surrounds an illustration of a naked female figure whose arms are turning into tree branches, referencing Daphne of Greek mythology. The women’s tree branch arms extend beyond the oval border. She is looking to her left with a laurel crown on other head tied with ribbons while her long black hair flows past her right shoulder. A long, curling ribbon wraps around her back upper body, across her torso, and then back around her legs. Text is printed on the ribbon in bold, black, capitalized, serif font. The woman stands with her ankles crossed and is wearing strappy open-toe flat shoes. She stands in front of an open book. In the top left corner of the left page are initials printed in capitalized, stylized, block font. The woman also stands atop of a closed book, with its pages facing the viewer. In the bottom left and right corners of the bookplate, text is printed in various stylized black fonts. 125. [Bookplate for Joseph-Olivier Archambault] In black ink on yellow paper. A decorative border with integrated flowers and ornamentation in corners surrounds the text. 126. [Bookplate for K. M. Fenwick] Blue ink on cream paper. A printed ribbon border houses the name of the owner and the number and volume entries. Both the number and volume are handwritten in black ink. 127. [Bookplate for K. M. Fenwick] Black ink on grey paper. A border of four curlicue lines houses the name of the owner and the number and volume entries. Both the number and volume are handwritten in black ink. 128. [Bookplate for K. M. Fenwick] Black ink on brown paper. A border depicting wooden beams with vines growing on them houses the name of the owner and the number and volume entries. Beneath the name of the owner is a short horizontal dividing line. Both the number and volume are handwritten in black ink. 129. [Bookplate for K. M. Fenwick] Black ink on grey paper. A border of four curlicue lines houses the name of the owner and the number and volume entries. Both the number and volume are handwritten in black ink. 130. [Bookplate for Kathleen Reit and Francis Reit] This bookplate's design features a devil-like figure reading a book beneath a tree, by a brook. 131. [Bookplate for L. Emile Grothé by Aimé Dufesne] Black ink on white paper. Border has white outlines, shaded for a three-dimensional effect and is filled in with thin black lines. The top and bottom sides of the border indent in the middle with squared corners. The left and right sides of the border indent in the middle with rounded corners. The top half of the bookplate has diagonal black lines extending wider from the centre. The top left corner features a person wearing a feathered headdress and a sash holding arrows in their left hand and a bow in their right hand. They are standing on a decorative ledge connected to the border and sitting atop of an elaborate curlicue. The right corner has the same curlicue and ledge and a person in a long coat and striped hat holding a pouch stands atop it. Between the two figures is an open book. The bottom of the top half of the bookplate contains half a round map of the world surrounded by a thick border of the same style as the overall bookplate border. The owner’s motto is written across the map’s border in thin, capitalized, sans-serif font. A rectangular border of the same design sits in the centre of the bookplate. The top of the border features large, captitalized, serif block font. The font is white with a black background and white stripes surrounding that background. On either side of that text are half circle decorations in a vertical stack between two thin white borders. The centre of the rectangle within the borders has a grey background with capitalized, sans-serif block font printed on top. The font is black with a white outline and dark shading. Two shields hang below the rectangle on the left and right side. The shield on the left is argent with sable dots per fess. The top third of the crest is charged with two fleurs-des-lis. The central portion of the crest, featuring sable and argent stripes. is charged with a lion passant guardant. The bottom third of the crest is charged with three maple leaves with connected stems. The shield on the right is per pale consisting of sable and argent stripes and argent with sable dots. The left side is charged with two lions passant that are argent with sable dots. The right side is charged with a lion sejant erect and eight hearts, each of which are sable and argent striped. Between the two crests, hanging from the central rectangular feature, is a checkered black rectangle with white borders on the left, right, and bottom sides. White curlicues extend from the left and right sides. Similar curlicues, leafy decoration, and black strip adorned with small circles extend from the bottom of the rectangle. The background of the bottom half of the bookplate not covered with other decorative features has the same black stripes as the top half. In the bottom left and right corners of the bookplate are four books each, spines facing out. Next to the books on the left is a black inkwell with two feather quills in it. Next to the inkwell is a beehive on a wooden platform surrounded by five bees. On the right of the beehive is an oil lamp with a bright flame burning. Outside the bottom border, inside the indent, the bookplate creator’s name and date of creation is printed in thin, black, sentence-case, serif font. 132. [Bookplate for L’Institut Canadien] Printed in black ink, a thick decorative border surrounds the text. 133. [Bookplate for Laurence A. Waldron by Waller] In red ink. This bookplate displays a classical theme. A neoclassical urn, draped with a laurel garland serves as the back-drop for the escutcheon. The escutcheon, argent (silver), is charged with three bull's heads caboshed, situated two over one. Above the escutcheon is a straight wreath, charged with a heraldic tyger sejant. This component is encircled by the originator's Latin motto. The urn is set upon a pedestal with an oval background, framed by a garland. At the base, between the oval background and laurel garland frame, appears the name and location of the creator. 134. [Bookplate for Leida Eerme and A. Lavdovsky by A. Gastmans] In black ink, horizontally laid flowers including two large blossoms, buds, stems, and leaves. 135. [Bookplate for Leida Eerme and A. Lavdovsky by A. Lee] In green ink, image of four blooming flowers emerging from the ground, set on an arched background, with solid green border. 136. [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on pale pinkish tan paper. Ornate curlicue border with circular corner designs. Multiple fonts are present. The library title is written in bold and non-bold capital letters, while the institute name is written in title case with gothic script. Separated by thin straight lines, the card number field is written in stylized bold font. The lending rules are written in serif font. 137. [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on tan paper. Curlicue and straight-line border. Multiple fonts are present. The library title is written in bold and non-bold capital letters, with the institute name in sentence case gothic script. Separated by centered, thin straight lines, there is a left aligned field for class and a right aligned field for card number written in bold serif font. The lending rules are written in italicized serif font. 138. [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on yellow paper. Ornate curlicue floral border. Multiple fonts are present. The library title is written in bold and non-bold capital letters. The name of the institute is written in title case with gothic script. Separated by thin straight lines, the card number field is written in bold, stylized font. The lending rules are written in italicized serif font. 139. [Bookplate for Lieutenant Colonel E. L. Caldwell] A simple line border surrounds the text. There are small circles framing each corner. 140. [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery. select all : clear all : add to favorites results 121-140 of 198 item(s)  page 7 of 10 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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